Nov 10, 2008
Giving Thanks
Nov 3, 2008
Walking the Line
~This post is rated 'R'
I am capping off the weekend with a couple midori sours at a favorite neighborhood bar that throws back to 1970s swank. They have literal "lounge singers" on weekend nights and I nurse my two drinks for the one-hour show. The bar buzzes with weekend warriors and the desire to postpone Monday morning is nearly palpable.
The bar sits on the corner of a busy street lined with restaurants, shops and yet more bars. We meander outside after the last song, "Viva Las Vegas" performed in true Elvis style. It's past 11:30 p.m. and still the street hums with activity. Groups of friends congregate near bar entrances, lingering before goodbyes. Couples stroll past holding hands, or not; perhaps good dates and bad ones.
A small crowd exits our bar with us, a few still clapping for Elvis. The crowd's energy buzzes. Someone yells, "Let's drive to Vegas!". Laughter, claps, some whoots. We pile out the door and loiter for a moment. Little chimneys light up everywhere as people hit their nicotine. The air's too smokey and I pull my boyfriend to go.
A police car flashing blue and red strobe lights behind a big black SUV slowly crosses the intersection across the street. The SUV stops in the middle of the road, just beyond the far crosswalk. A few people laugh. More look over, drawn by the lights. The police officer booms on his p.a. system:
"Driver, advance your vehicle slowly and pull over to the right side of the road. Do it now."
The tinted driver's side window rolls down. An arm waves back and forth. Conversation hushes in my bar crowd. Someone laughs. Another says, "Oh my god! Dumbass!". The officer speaks again:
"Driver, put your arm inside the vehicle. Advance your vehicle slowly and pull over to the right side of the road. This is your last warning. Do it now."
"He probably speaks Spanish!" someone says. "Hey no habla Ingles, amigo?" More laughs. The SUV begins crawling forward and slowly pulls over, police car following. Both vehicles are still against the curb. A bigger crowd has gathered around us, watching the scene unfold across the street. Moments later, a second police car arrives and all four officers approach the SUV, two go to either side of the front, one approaches the back but keeps a distance and the fourth remains close to the open driver's door of the first police car.
More hollers in jest from the bar crowd. The fourth officer looks over and yells to be quiet, please. The officer near the driver's door has his hand on his holster. The driver has lowered his window. The officer talks and motions for the driver to come out. He does. As he descends the high SUV, he topples back against it on one leg. A man in the crowd says, "Whoo yeah!"
The officer directs the driver to the pavement in between the SUV and the police car. He speaks again and demonstrates a finger to nose motion. The driver wobbles as he stands in one place. Arms out, he slowly brings one to his nose. I cannot see how close he comes. Before he tries the other arm, the officer points forward. The driver begins walking heal to toe. On the third step he leans way to the right, loses his balance and falls on his butt.
The bar crowd hoots and hollers. Some cheer and a few whistle. Suddenly, a female's voice rings out:
"Fuck you people! You think it's funny? It's not funny. Fuck you, you fuckin' drunk assholes! You better not kill anyone tonight."
Jun 27, 2008
Now I'm Not Sorry
This Post is Rated 'R'
It's a beautiful day to wait in line outside the court house. The sky is infinite blue. A breeze blows just after I exhale my sigh. The fresh wind tells me to breathe and have patience. I am going to the traffic department. I earned myself a fix it ticket for a broken brake light. I fixed it, but all is not well until I pay the administrative fee. I wait with about 50 people to pass through metal detector after lunch hour. Most of the crowd wears juror badges.
Twenty minutes pass without a step forward. I realize I have curled my $10 bill into a tight tube. As I'm busy uncurling my bill, the man in front of me shifts his weight. He is very tall with broad shoulders and a thick neck that creases in the back. His head is shaved and beads of sweat sparkle atop his black scalp. He wears a Chicago Bulls jersey and long shorts with feet twice mine encased in black running shoes with a red stripe.
People fan themselves with papers. Eyes peer forward at the entry door. Kids scattered about whine or just plop onto the cement. The line undulates a little but does not advance yet. A small boy sits on the ground two people ahead of me. The white man behind him moves backward suddenly to avoid the boy's back and steps on the black man's foot. The white man glances back and smiles, then looks forward again.
Male Black: You gonna say something?
Male White: Huh?
MB: ARE YOU GONNA APOLOGIZE?
MW: Oh. Sorry.
MB: Dumb motherfucker.
MW: What? Okay now I'm not sorry.
MB: Watchoo say?
MW: I said I'm not sorry.
MB: Let's take it to the side you little bitch. Do not disrespect me muthafucker.
MW: Step over here with me sir.
MB: (laughs) Oh now it's sir, huh? You scared now, ain't you?
The MW produces a badge in a holder from his rear pocket.
MW: I'm a police officer. Are you threatening me?
MB: Bullshit! That's a fake ass badge.
MW: I am a Los Angeles police officer and I am telling you to step away from me. Go to the end of the line, sir.
MB: FUCK YOU!
After a long moment, the black man turns abruptly and walks away with clenched fists. He looks back several times, eyes wide, lips tightly pursed. The people near me stare at both men. Some have backed clear away from the line. Someone asks if she should get help. The white man says, "Sorry folks. Everyone take it easy."
The black man does not go to the end of the line. Instead he begins crossing the street at the intersection. Midway, he throws a bunch of little paper pieces into the air. The white squares float peacefully down to the pavement. Moments later the light turns green and cars run over them.
Mar 7, 2008
Drugs are the Only Answer
The older boy stands still, arms crossed, looking down. The younger one twitches, his head and right arm jerking sideways every few moments. Occasionally he jumps forward a little. The sounds he makes are loud and gathering attention. Each time he yelps and says, “RoooOOO!….bap, BAP!” a few more kids and adults glance back at him.
My line advances slowly. His noises continue and other conversations are falling silent. Some children stare wide-eyed and parents nudge their heads back around, away from him. I look back once more. His companion peers toward the parking lot as his brother jumps and barks.
A little girl and her mother wait behind me. They are white and both blond. The child’s long hair is tied in pigtails. The elastics have big red plastic cherries that shine bright in the sun. She's five or six years old. Clutching her mom’s skirt, she wraps around her and looks back at the boy. Her mother also glances back at each noise:
Daughter: Mom, why is he saying that?
Mom: I don’t know, Ashley.
Daughter: What is he saying?
Mom: Who knows. There’s something wrong with him.
Daughter: What’s wrong with him?
Mom: How do I know?
Daughter: But what happened to him?
Mom: (sighs) You know what? His mom probably took drugs and messed him up.
Daughter: (silent)
Mom: See? See what drugs do? Aren’t you thankful I didn’t do that?
It’s my turn to buy a ticket. After paying, I look back at the two boys once more. An older couple has joined them. The woman holds her back with one hand and pats the younger boy’s shoulder with the other. The man is giving the older boy some money. After a few moments, the adults turn to go. Each takes one of the younger boy’s hands and lead him away. He doesn’t go willingly. The older boy moves forward in line without looking up.
Jan 31, 2008
Rudeness Jeopardizes Your Food
I see the tops of brown-haired heads gathered in the next aisle over as I walk down mine toward the cold cases. The girls talk and I hear youthful giggles. I select just one Monster can, close the case and turn to walk down their aisle. They are Hispanic teens deciding between different flavors of sunflower seeds. One is talking about her shift in the drive-through. Not expecting much, I circle the Twinkies and Ding Dongs at the aisle's end and come back up the adjacent one. I'm confronted with toilet paper, napkins and paper towels. Taking particular interest in quilted two-ply, I kneel down and listen to the girls on the other side:
Voice 1: Man, I hate that job. It sucks!
Voice 2: Haha! 'Hi would you like to try our macho tostado today?" Haha!
Voice 1: Shut up!
Voice 3: Yeah! 'How about a combo, today?'
Voice 1: Whatever. Drive-through sucks. Damn people are rude, you know?
Voice 2: So mess their order up or something! What are they gonna do, drive back from home?
Voice 3: Yeah! What are they gonna do? Why do you take it?
Voice 1: Well you know what? Sometimes? If they're a total jackass we tear their taco shells.
Voice 3: What?
Voice 1: You know, split the shell down the middle a little bit. Then wrap it up and -
Voice 2: Oh! Ha! Then they go to eat it and crash!
Voice 3: Yeah, the whole thing falls apart! You know that's messed up, man, when you go to eat a taco and it breaks all up. People are so rude, though. They deserve it.
Voice 1, 2, 3: Hahaha!
Jan 24, 2008
Fried Chicken in the White House
Jan 4, 2008
A Hypocritical Combo To Go, Please.
Nov 5, 2007
No God
In the middle of my reverie a male voice says, "Here you go, God bless you" as he hands me a small booklet. We exchange smiles and I thank him. He comments on my St. Jude medallion and asks me if I'm secure in my faith. I say I am. He wishes me well and moves on. He walks to a bench next to a fish sink not 10 feet away. A young man sits there with white iPod ear buds on. The middle-aged evangelist taps him on the shoulder:
Evangelist: Hey, hi. Here you go. God bless you.
Boy: What? (removes ear buds) What's this?
Evangelist: Hi, how you doing? Please read this, it's explains how you can know Jesus Christ personally. Do you have a relationship with the Lord?
Boy: What? Yeah, I have a relationship with the Lord. I hate him, alright? So take your damn papers and leave me the hell alone.
(The young man stands up and hurls the booklet over the railing. It flutters down to the sea)
Evangelist: I'm sorry you're angry. Maybe you can tell me about -
Boy: Maybe you can shut the hell up and leave me alone! There is no God, okay? Get over yourself. Frickin' loser.
The young man jams his ear buds back into his ears, slings a dark green messenger bag across his shoulders and walks off. The bag says "ARMY" on the flap. The evangelist sits down on the bench. A few people stare at him. He looks out to the sea for a moment and bows his head.
Oct 25, 2007
Blind to Reason
Oct 20, 2007
No Signal
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